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Hooks: DC and I teamed up after a couple years and made mainly old school New York style hip-hop beats under the name Mass Productions, eventually putting together an instrumental album called Fresh Beets. Around that time we were getting exposed to a lot of different types of music. I had some friends who I would do graffiti with that listened to a lot of drum n bass, and I would get playlists from them. Hooks: Some other friends of mine were getting really into the electro house scene with Justice and stuff like that.
Those sounds made me want to learn more, and make different things. We messed around with synths and distorted sounds for about a year before we decided we were ready to show the world anything. They were more electronic, dark and cinematic. What pulled me in was the freedom of making whatever the fuck you wanted. The people that have their own story to tell will be the ones who stick around. Catchdubs: If you have an idea and you want to put some time into it, you can just do your thing.
You can just go in and do it yourself. I guess that could describe all art. I just love music. I feel in love with the culture, and the way the scene embraced creativity. Not many scenes, or people in general, embrace creativity or art for that matter. Electronic music is such a big generalization. Hooks, Zeds Dead.
Catchdubs: I think that as a whole, electronic music is probably the most inclusive popular genre. The nature of working on computers and sharing projects changed everything. Hooks: Previous generations never had social media and all these ways of interacting and getting your stuff out there for people to discover. I guarantee you that if they, did they would have used them. DeAngelo: Artists are changing their sets each night, songs are morphing and evolving into new versions and mixes, and everything is fluid.
And the fans feel like they are a part of it. DeAngelo: Making a beat and sending it to your homie across the world and him adding a synth line and so forth. Then sending the finished song to 5 of your homies and asking them to interpret it in their own way for 5 different remixes.
To me, the idea of digital is about much more than MP3s or streaming — it represents the idea of fluid and seamless creation and collaboration. As an artist you need to get your work seen first before you can count on any fans. And these days there are more ways to do that than ever. Hooks: Touring has been extremely important to our growth. Touring is the bread and butter of how I earn a living.
People value the live experience more than the physical recording. Morgan Page. Pairing immersive visuals with music definitely takes things to another level. On our last bus tour we had these big LED diamonds developed that used mirrors to give the perception of an infinite tunnel.
We also had LED walls with lots of psychedelic content triggered in sync with the beats. We want to create a feast for the senses. You have to be in the situation to know how a crowd is going to react to the track.
Its hard to gauge that in a studio or bedroom. Experience is always the answer. You do things that you feel are going to express your likes and your personality in that context. It is easy to make stuff all in the box, in your computer, as a bedroom production genius. A lot of people you can then get onstage and bang it out from there. But being a performer is a skill unto itself.
Other concerts are social, but maybe not with the same intensity or group size as a large electronic festival. After the bubble bursts, the culture will still have its real fans. It will just be more underground again. Heartbreak: I think that the entire music scene is going to shift to a more electronic approach. Tablets, iPhones, MacBooks, etc. The radio is even changing.
Not everything can be Coca-Cola. You have to drink some water sometimes, otherwise your teeth are going to rot out. Hooks: All of us as humans are basically looking for great new music, and statistically the odds of there being cool stuff go up the more people get involved.
More producers are able to tour and support themselves these days, but it becomes increasingly harder for new artists to find a place, and established artists to hold on to their place. Catchdubs: In my time as a DJ, electronic music has gone from the most underground thing that there was to the complete other extreme of being pure mainstream pop music. Radio stations are often owned by the same larger companies that own major record labels and are fed the songs to play.
Songs have become disposable, and have very short shelf lives. There are definitely too many artists copying each other, so things can become derivative quickly. And it inspires people to make music that stands out and lasts longer. Find your personal approach. More authentic personalities is the short way of saying that, I guess.
I would like to see more artists actually being developed and polished. I see a lot of labels sign artists, without developing them. If you teach them how to write songs and not just noise and develop them, they have a better chance of becoming a great artist, and that makes the scene better. The future of music will depend on natural brand relationships, unforgettable live show experiences, and the fan-artist connection. Catchdubs: I think change is going to be a constant.
Who knows? Stuff is always going to change. The key is figuring out what you do as an artist and what you do to be different from other artists. Being able to present something to fans in a cool way. I stop forcing myself to make music. A lot of guys get into creating their own memes and having funny Instagram pictures, almost like treating their music roll out like a form of stand up comedy, which is fine.
But it does start with the music itself.
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