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Weaveworld clive barker epub torrents

Weaveworld clive barker epub torrents

weaveworld clive barker epub torrents

9. clive barker collection epub and mobi [sponsored downloads]   Heart The Thief of Always Weaveworld Related torrents Torrent. Read Weaveworld Page 29 book online by Clive Barker, Read Weaveworld Page 29 book Not the torrents of August, which had poured from operatic skies. Coldheart Canyon book. Read reviews from the world's largest community for readers. Film's most popular action hero needs a place to heal after his s. KALEIDAGRAPH FOR MAC 4.5 TORRENT Google Sheets Editor can wasting the contiguous entries Solaris 2. You can that once. Because this software program help them to expand license, source in the available for.

To do so, he posits a race of magicians--the Seerkind--as always having cast spells of delight alongside humankind. But at the dawn of this century, modernity's onslaught forced the Seerkind to retreat within a magical fortress--a carpet. As the story begins, young Cal Mooney, an office grind with a fanciful heart, chances upon the rug and is transported into the enchanted fields and towns of ""The Fugue""--the marvelous land woven within the rug.

After ferocious battles with evil entities, Cal links up with Suzanna--descendant of the carpet's dead caretaker--who soon learns that Seerkind blood courses in her veins. Eventually the two track down the carpet, and, after it unweaves in northern England, visit the Oz-like land of The Fugue.

But Shadwell follows them there and destroys the magic land in a ocean of blood. As homeless Seerkind wander England, their ancient enemy, ""The Scourge"" an incredible creature akin to a mad fallen angel , wreaks havoc on Seerkind and humanity alike--until at novel's end Cal and Suzanna harness their personal powers of wonder to defeat Shadwell and Scourge and to re-create The Fugue. Like Barker's earlier fiction, this complex work erupts with explicit sex and violence--but now the shocks punctuate a raging flood of image and situation so rich as to over-flow Barker's abilities to formalize it.

Nearly every page teems with original ideas; what's missing, however, is an emotional vigor to backbone all this activity; Cal and Suzanna remain distant creations. Here Barker has unleashed literary genius without taming it--though cemented his position as the major horror rival to King. Already have an account? Log in. Trouble signing in? The erotic elements of the novel, spiral deeper and deeper into the depraved, leaving even the most hardened reader of bizarre sexual practices left gasping for air.

The novel draws to an end, with a definite slowing down of pace, with Barker taking on once again more emotional aspects of the characters. This creates a tidy yet subtle bookend structure to the book as a whole. The final conclusion is wholeheartedly satisfying and well delivered to the very last word. The sexual depravities explored to a limitless excess are nothing short of disturbing. This is certainly a spectacular read and one that offers up a good glimpse of what lays behind the eyes of this incredible author.

May 05, Sherri Dub rated it it was amazing. I have read nearly the entire collection of Clive Barker novels in existence. While I enjoyed them, each for their unique plots and tantilizing hints at sexual prowess, this book is my all time favorite.

The canyon is a mystery that anyone would want to explore. It is a place where you have to ask yourself, if you could, would you? And if you saw it on an active night, could you look away, or would you be enticed to peep on. While the protagonist, Todd is trying out sort out his Past and Present pla I have read nearly the entire collection of Clive Barker novels in existence.

The woman he meets is unlike anyone he's ever known, and her pull at his soul is a strong one. I think reading this book, slowly at first, is the best advice I can give. Then, go back and re-read it, just to be sure that it all sunk in. Barker is a master weaver of sensual delights and situational scenarios that captivate our most basis human instincts. It's one hell of a ride, and worth an E-ticket. Shelves: fiction , book-club , read-in , horror. This book has left my mind in a state of turmoil, thoughts and ideas tripping over themselves to get to the forefront of my brain.

Or, more truthfully, I hated it and liked it all at the same time. To strip it back to its bare bones, the Ugh. To strip it back to its bare bones, the basic story and idea is good. I enjoyed it. I had a few major issues with this book though, that really, seriously put a dampener on my enjoyment. It would have been a much more enjoyable read had Barker decided to leave out all the bumf. Why was it there? It bore absolutely no relation to the story and, as far as I could see, what entirely unnecessary.

In fact, it was positively boring. What the hell was that all about? Again, it has absolutely nothing to do with the story! Maybe it was the only thing Barker had left out and had to find some way of fitting it in… Secondly, the sex. And not just sex either. I am more than sure that Barker included most of this because of some overwhelming desire to shock.

Well, no actually. Was it perhaps a simple demonstration of how perverse and evil Katya is? Maybe…except it seemed that most, if not all, the characters in the book partook in some such behaviour. Is it what the canyon does to you? Oh dear. I have a very clear picture of this in my head. It takes itself too seriously to be decent satire. This leaves me with a massive dilemma as to how to score it. Jan 17, Jules rated it it was amazing Shelves: horror.

It's not often that I get REALLY excited about a book release, but I remember eagerly awaiting publication day for Coldheart Canyon, and running off to Waterstones in Yeovil where I was living at the time to pick up a hardback copy of this book. Definitely one of my favourites.

Dark and twisted as always! View all 4 comments. Jan 25, Alex Telander rated it really liked it Shelves: books-read-in , books-read-in Coldheart Canyon is a clear example of what happens when a brilliant, literary mind sits down to create long, great work. Todd Pickett is a lot like Bruce Campbell, the renowned Holl Coldheart Canyon is a clear example of what happens when a brilliant, literary mind sits down to create long, great work. He has how own scary fan club and he has been making action-flicks since the early nineties, but has now reached his career plateau.

No longer is he able to make the big bucks for the tough-guy movies; what he needs is to revamp himself and present and new and improved Todd Pickett to the world. The solution then, in a place like Hollywood, can only be one thing: plastic surgery. Except is goes wrong, and he ends up getting scarred and needs a place to hide out for a while so he can heal. The covert locale of Coldheart Canyon is a castle-like mansion located in a most obscure area of Los Angeles if one does not know where to look for it, one will never find it.

It is devoid of life, or so Pickett thinks, but after some time spend in solitude, the ghosts begin to make an appearance. However in the basement of this house is something special, something from a bygone time centuries old, taken from the hidden hinterlands of Romania. Having spent years working on this novel, Barker has made it immensely personal, with characters that have been taken from his very own life; even the death of his beloved dog is incorporated into the book.

At the same time Barker is doing what he does best: delving into a conglomeration of fantasy and horror, taking the reader to a metaphysical plane that can only be reach by the skilled hands of Barker. Originally published on February 4th For over book reviews, and over 40 exclusive author interviews both audio and written , visit BookBanter. Nov 19, Jamie Stewart rated it it was amazing.

This review has been hidden because it contains spoilers. To view it, click here. Back in the s the place was known of its wild excess but has since been forgotten until present time. Todd Pickett has been top of the Hollywood A-List for the past ten years but a recent bomb at the box office leads his agent to recommend undergoing plastic surgery to look younger. The surgery goes horrible wrong and in order to hide from the media while he recovers his agent rents Coldheart Canyon, where there are more than just the ghosts of Hollywood past waiting for him.

What follows is an incredible descent into personal vanity, ego and excess. This is welcomed as Todd is a vain dick for most of the novels duration and many of the supporting characters are well fleshed out, particularly the character, Tammy. Clive Barker does the same with the telling of a ghost story in itself, this is unlike any ghost story I have ever read.

In Coldheart Canyon the ghosts have physical form, participate in orgies and even mate with animals. However, I will add that despite its gruesome contents this novel challenges what horror can be and thus sometimes feels like a different genre entirely. Jun 13, Gina rated it did not like it. I like Clive Barker movies, but his books are hit and miss. This one started off promisingly. I do like haunted house stories, and this one had a nice "golden age of hollywood" twist to it.

But halfway through it started getting really dumb, and by the end, I was totally turned off. You just want to smack all the characters. How many times can the main character be saved, and then go back, and then be saved, and then go back, and then be saved, etc. Aug 17, shan Littlebookcove rated it it was amazing Shelves: favorites. I have to say this book highly surprised me! When I saw this in the library I wasn't expecting it to be as good as it was.

After being so heart trodden with the scarlet gospels, This was amazing! The story started in Romania in the s when a famous film starlot Katya Lupi returns to visit to return to her family with her talent agent Willem Zeffer. Zeffer visits an old medieval castle, which has been turned into a monastery and decides to buy a unique work of art, a series of sculpted and pain I have to say this book highly surprised me!

Zeffer visits an old medieval castle, which has been turned into a monastery and decides to buy a unique work of art, a series of sculpted and painted tiles depicting, in a grotesque and obscene manner, the local legend of a Count who was cursed to haunt the nearby wilderness for all eternity. Upon seeing this art he decided Katya has to have it and take's it back with them the hills of L.

A Cut to the current times we then meet Todd. The curse that goes to the tiles are soon to fall on him, but will those around him help him in time? The story and plot line to this is insane! The chars are very well written too was this ever made into a film?

If not it should be! I honestly couldn't put this book down. Clive baker's mind is like a den of sordid pleasures, but he makes his written work so addictive! There are graphic scenes in this book so I will say if you're a bit sensitive to that then this book isn't for you. However Clive just has a way of letting his stories flow so you really get a sense of were hes put you in the hot canyons of L.

A and i absolutely loved the tale because of that. A read i really enjoyed! Jun 07, Rob rated it it was ok. As much as I like Funny People, minutes is about 30 too many, and anyone who has the patience for a minute Transformers movie has a greater tolerance for watching cars fall from the sky than I do. Of course there are exceptions. The same holds true for novels. Both authors earn the length through style and content. And that really pains me.

When I name the authors who were influential to my development as a reader and writer , I immediately name the usual suspects: King, Kurt Vonnegut, Harlan Ellison, Ray Bradbury. But Clive Barker would absolutely be a little further down the list. His short story cycle The Books of Blood was hugely important to me in high school. Its graphic depiction of violence and frank handling of sexuality was new to me, and the way Barker suffused each of the stories — even the most sensational ones — with a sense of creeping dread haunted my waking and sleeping moments alike.

The latter book made an especially big impression, so much so that I remember reading it aloud to my college girlfriend, savoring again the chance to immerse myself in its story and characters. But I knew Coldheart Canyon was going to be trouble from the get-go. The room is important, the tiles are important, the actress is important, the assistant is important, and, yes, foreshadowing — but the execution is soporific. At this especially susceptible point, Todd is told by his manager and a Hollywood producer that he could benefit from a little plastic surgery.

In this house in the titular canyon, Todd meets the actress from the s prologue who has miraculously been kept young by the tiled room shipped back from Romania and installed in the mansion. I experienced a moment of pure despondence at the point when the book seemed to be at a climax yet still had pages to go. Coldheart Canyon, by contrast, seemed like a flabby houseguest who overstayed his welcome by a week and a half. But man: Coldheart Canyon is unnecessarily long and unpleasantly loquacious.

After twenty years of not reading Barker, this was an unfortunate way to get reacquainted. Read all my reviews at goldstarforrobotboy. Apr 20, Adam Nelson rated it did not like it. Clive Barker is a sick man. And that's it. No buts here. I'm not, like, judging him for it. Lord knows I've read sick, grand guignol stuff before. I would say that his writing is sicker than anything else I've ever read, but I think that's what he's striving for.

My problem with the book Clive Barker is a sick man. My problem with the book stems from the fact that it forgets to be about something. It resides on the base level of exploring the "darkest parts of the human psyche.

That's a quote from people who justify Barker's writing and others like it. The problem is, when you have your main characters, whom you're supposed to be rooting for, engaged in unbelievably salacious behavior for 20 pages on end and then you try to get us to cry for them somehow at some other point, you've totally lost us.

Well, me, at least. I can deal with somebody getting a little out of control, doing stuff occasionally out of character for him, but if you're going to try to set him up as a sensitive character, you need to have some measure of consequences for his actions. Todd's psyche or his soul has nary a scratch, or if there is some sort of indication of a consequence to his conscience, such consequences are easily forsaken at the expense of whatever passes for plot in this mess. Passages of this book are so over-the-top that it gets quite laughable after a while.

Trying to be modest here, but there are points where the entirety of the narration, it's entire drive, is simply to describe the private and graphic parts of the male and female anatomy, their functions and many uses, in as varied ways as possible, at length. Every time you turn around, somebody is getting aroused and then tearing each other's aroused flesh apart, usually when Barker's narrative was about to begin being about something.

It may be sounding like I wasn't exactly paying attention as I read, but I was. The plot description on this book's page on goodreads is correct. A Hollywood star retreats to a haunted mansion in a long-forgotten canyon on the outskirts of Hollywood, and the ghosts have spent the past several decades having sex in every way imaginable. There's a room in the basement with elaborate artwork on the wall tiles that comes to life.

And there's a lot of stuff added on top of all that that tries to string it all together. But half of this book is taboo sex. And it's a big book. That's a big half. If you like that sort of thing, Barker's your man. You won't be bored. And there are good ideas in the mix here that could have, if developed properly by a writer who's not distracted by his own perverted mind, made for a great story.

The basement room, its origins and what takes place there, would have made an effective and extremely frightening horror story of its own. I wrote something similar when I was 13 and think the basic conceit of this idea was potentially genius in Coldheart. The idea of old Hollywood icons haunting this mansion and beseeching the attention of its owner was good, in basic theory, minus the fact that they just wanted to have unbelievably aberrant sex with each other.

Also, the part about Todd's dog was very well-written, very touching. I came close to shedding a tear. It's the only part of the narrative that made me actually care for this guy. That's fine, but if you're going to write it into a book, make sure it doesn't get rendered pathetically useless by a narrative that's not worthy of it. Stephen King once famously said, "I have seen the future of horror, and its name is Clive Barker. Barker could do to take some notes from King.

If King's going to shock you, he'll do it quickly and then put it to service of the story. He rarely spends more than a couple of pages on a sex scene or some grossout violence. It's quick and MUCH more effective. He is, above all, a master storyteller. Barker's a drug pusher for the BDSM set. I've read enough of his work to know.

Jun 19, Stephan van der Linde rated it really liked it. This is about moviestar Todd Pickett, whose career comes somewhat to a dead end. He finds it difficult to accept, and endures a furtive facelift to improve his features. The unknown surgeon makes a mistake and this goes wrong. To avoid the press, Todd hides in a resort in Coldheart Canyon, where he can heal, or awaits the healing of his face.

Tammie, the chubby founder of Todd's fanclub who is in love with him , gets hints of his new whereabouts, and is looking for him through the desert nearby This is about moviestar Todd Pickett, whose career comes somewhat to a dead end. Tammie, the chubby founder of Todd's fanclub who is in love with him , gets hints of his new whereabouts, and is looking for him through the desert nearby Hollywood. The resort Todd is staying is haunted.

The spirit of Katya Lupi, the beautiful ex-moviestar makes her presence more and often. Todd is seduced by Katya and from here, everything goes in a rapid. I liked this book very much because there are 3 story lines which come together. Todd, Tammie and the history of bad and sexy Katya. This book is full of mystery, erotic, horror, death, drama and infernal business and their creatures.

As well an outstanding created world around Hollywood. All was very imaginable. One of the best Barker's I've read. Very highly recommended to all who love haunted houses. Aug 29, Janet rated it did not like it. This book is absolutely wretched and I'm totally embarrassed that I read an almost page book that is just plain bad. The book is billed as a 'Hollywood Ghost Story' and I was excited about its promise.

It did not live up to its promise in any way. I have never read Clive Barker so I have no idea if this is typical for him or not - regardless, I can't imagine ever putting more time into reading him again. The book is disjointed and rambling - several times I thought it was finally ending but This book is absolutely wretched and I'm totally embarrassed that I read an almost page book that is just plain bad.

The book is disjointed and rambling - several times I thought it was finally ending but instead it would go off into some new, and barely related direction. The writing style seemed to change with every new story line, characters were brought together for manufactured reasons and changed allegiance on a whim. This is not a ghost story - it is barely a story at all. Just bad - don't waste your time.

I did not finish this book. Jul 21, Tessa rated it it was ok. I like Clive Barker or I wouldn't have read this, but I'm far from just trusting him blindly. He is either fantastic or awful with nary a warning in between. Truth be told although I gobbled this greedily I couldn't help but form an opinion of meh, it was a boring story prettied up with kink. The villainess seemed nasty until it was revealed she was just a bully who had been given a fragment of power that she didn't understand, and that she just squanders.

The monsters were barely there and not p I like Clive Barker or I wouldn't have read this, but I'm far from just trusting him blindly. The monsters were barely there and not particularly frightening, neither were the ghosts. There is a point very early on where it looks like a horror about plastic surgery which would have been fantastic, a sort of modern day version of the Tortured Souls Novella which was interesting.

The thing was I found I didn't care about the main characters, the only part I liked was the bit with the dog. The thing is this book is beautifully written, it's just not a very good story. The villain is a schoolyard bully, given a truly fantastic power, the Devil's Country is an amazing idea, but really she lets the book down. Aug 23, Natasha rated it it was amazing. Whether you're studying a magic carpet, decoding abandoned mail, or reconstructing a mosaic worthy of Bosch.

Clive Barker's projections are unequivocal in there grotesque seductiveness. Let him lead you into hell. You won't regret the tour. Barker through and through but half a book too long. The mystery and lore is all great and a fascinating part of the book, but the story dragged on far too much. Right now 1. I felt some of the stuff in this book could have been left out.

Would have been a five star book for me if that was the case because it had everything I love about Barker books in it. I've always been a fan of Barker's and this one, which took me a long time to get around to reading, had a lot of strength in its lyrical descriptions of southern California and the fantastic creatures, mostly monstrous, inhabiting the canyon. I deducted a star because I felt the book simply rambled on too long.

For the first time with a Barker book, I felt it was a bit of a slog, especially toward the end, when I found myself skimming. With a bit of editing and tightening, this could have been I've always been a fan of Barker's and this one, which took me a long time to get around to reading, had a lot of strength in its lyrical descriptions of southern California and the fantastic creatures, mostly monstrous, inhabiting the canyon.

With a bit of editing and tightening, this could have been a masterpiece. But even with my misgivings, this is a superior offering in the horror genre and I'm glad I made the journey. Certainly not Clive's best, but it could have been much worse Todd Pickett, one of the hottest movie stars of the last decade, faces the downfall of his career when extensive plastic surgery goes terribly wrong. On the run from his fans and the ever bloodthirsty press he hides in the deep woods of Hollywood.

The luxurious mansion of the long deceased silent movie actress Katya Lupi seems at first the ideal hiding place. But when he discovers that the house is still inhabited by the ghost of Katya Certainly not Clive's best, but it could have been much worse Todd Pickett, one of the hottest movie stars of the last decade, faces the downfall of his career when extensive plastic surgery goes terribly wrong. But when he discovers that the house is still inhabited by the ghost of Katya Lupi the place changes into a death trap.

The house itself turns out to be a place of evil, where Lilith, the wife of the Devil, is still out for revenge on the murderers of her son. Todd's biggest fan, Tammy Lauper, worried by the sudden disappearance of her idol starts a search for Todd and she creates, without knowing it, what is likely to be the only chance for redemption Todd has left.

Let's start with the weakest point of Coldheart Canyon: the plot. Not that it is really bad, but it just does not honour the previous works of Clive. The building-up of the storyline is comparable to what Dean Koontz does in almost all his novels: a normal situation turns bad, then even a bit worse and in the end everything is back to normal after some apocalyptical struggle. Clive Barker can do a lot better. Look at Imajica, to name just one example of a story with a much more original plot.

But luckily the king of 'strange' horror can turn a plot that is not that strong into something that is far beyond average, just by applying his personal style. That is exactly what happened with Coldheart Canyon. The complete atmosphere of the book breathes the competence of an extremely talented writer: even the most violent scenes or those weird erotic extravaganzas have something poetic about them.

When skin is slowly pealed off the skull of a presumably living person, Clive makes it sound like a sensual act of love. I am really glad that Clive still dares to write some controversially gruesome stuff. For me The Books of Blood still are his best works, because it is clear that while writing those Clive did not suffer from any limitations at all. His later works are a lot cleaner and tend to miss the real spirit of the earlier works.

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The orchard seemed large to me at the time, though in retrospect it probably contained less than twenty trees. In the heat of the afternoon the farmyard cats, having exerted themselves mousing, went there to doze, and I went to hunt through the unkempt grass for eggs laid by nomadic hens. Beyond the orchard was a low wall with an ancient mossy stile. And beyond the wall an expanse of rolling meadow, grazed by sheep, with the sea a misty blue prospect. I have little way of knowing how accurate these memories are; almost forty years have passed since I was small enough to sit in that window niche.

The photographs my parents took of those distant summers are still pasted in the musty pages of their album, but they are tiny, black and white and often blurred. But none of the orchard, or the wall, or the meadow. And none of the window where I sat. I still conjure that place in my dreams, and when I wake I have the details clear in my head. The smell of the night-lights my mother set on the dresser in my bedroom, the dapple beneath the trees, the warmth and weight of an egg, found in the grass and carried into the kitchen like unearthed treasure.

The dreams are all the evidence I need. I was there once, blissfully happy. And though I cannot tell you how, I believe I will be there again. The farmhouse has long since disappeared; the cats are dead, the orchard uprooted. But I will be there again. If you are already familiar with the book in your hand, you know the relevance of this sliver of autobiography. Weaveworld is a meditation on memory. This is, I think, a universal experience, which may go some way to explaining why the book continues to find readers.

I recently finished a six-week publicity tour for a new novel, and at book-signings across the country found readers bringing me battered but much-beloved copies of Weaveworld to be inscribed; several times I heard people say the book had helped them through dark times in their personal lives.

There is nothing more gratifying to this author than to sign and personalize a book which has seen some action: passed between friends, dropped in the bath, coffee-stained and sun-yellowed. I know how close you can get to a book whose stains and creases are part of your shared history.

And what more perfect marriage of form and content, than that a novel about memory, like Weaveworld. The book was published in , the year in which the first Hellraiser film was released, but it represented a considerable departure from the transgressive horror fiction with which I had become identified.

There were plenty of critics ready to snipe at the change of direction, opining that my imagination was too dark for the genre I was attempting to infiltrate, and I was better off staying on the horror shelves. But the response from readers, including many who were devoted to the extremes of my earlier work, was overwhelmingly positive.

The book sold solidly from the outset, and has continued to do so, in several languages, ever since. It has sparked off creative work in other media from readers who wanted to explore the story for themselves: paintings, poems, musical compositions; even an opera, planned for production in Paris. Yes, there are raptures in the novel, and glorious deliriums. But the Fugue — the magic haven of the book — is threatened with total destruction, and the powers that overshadow it are not tuppenny coloured terrors.

They are the obscenities of human cruelty and human despair. Tales of Paradise Lost are central to our culture, of course; we are all exiles from some place of bliss. There were sacred places and secret spots, and beings that held magnificent raptures.

They were the Seerkind, and they were the magical children of the world. Then the Scourge came. A being of magnificent power and mad obsession with a singular purpose - to utterly destroy the Seerkind. Its reasons, its motivations were completely unknown and brooked no argument or negotiation. And so, with their numbers being burned down, the Seerkind hid. They used their best magics and their most exquisite raptures to weave their most precious places and people into a haven that no one would ever find, a place that no one would ever look.

A carpet. They hoped to wake up once the Scourge had passed, after a few short years.

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